"When we come to refer to their works (Romans Apollinaire and Jules), we take responsibility to dream anonymously within what they have written or painted, focusing, for example, in a deliberate way on such detail or such phrase that does not in itself (if that expression in a sense) have the importance we give it. We walked in their works as they can walk within a city. In proposing the possibility that space opens, Pierre Sansot followed in the footsteps of Michel de Certeau who depicts space as an act, an act of passage where it is possible to dream anonymously within a text. It is not even the essential act of any individual; the ability to make the work His work, including creating spaces and not places. Twists and turns, to create spaces in the multivalent area in unambiguous text in the text are also ways to take it head on, because, as Peter Sansot reminds us, our acts of reception, and our acts of passages in the text are not as quiet. It sounds like an ephemeral production, not visible, not significant but which is not provided unless it is a part of the act of creation.
[...] Here it seems to me to read in the course of current events through the prism of self. We are so immersed in the distance. We can not have a report distanced events if we have control over events that we can think, grasp them, understand them, control them. "On the one hand, it is difficult to hear their understanding and control of events as they do not take more distance vis-à-vis them and do not control them better ways to live passionate. We can observe a circular relationship between low control of events and low self-control. [...]
[...] The course of events is taken in both dynamic rupture but also continuity. "It becomes a habit, but before there were items that interested me and it turns out they do not interest me anymore, I was good in the commercial course that interested me the competition now I'm looking at all . It's over time . as well as when there is an article, I say, well, what is happening . as soon as it is an article I read anyway but less extensively than before, but I read anyway, so yes, I am still aware, it's true. [...]
[...] We looked through the other, as we look through the other self. But this appropriation, this separation is the received text of the news did not hide under a constraint, that of having to know, need to "keep up" in the form of an injunction unverbalized not explainable. Double paradox under self by the Other, practice, place of creation, but also stress, we try to solve these issues by putting them into perspective with other research on the transmission of memorabilia of work within the family unit. [...]
[...] well, I think that is what is most interesting is that you can understand the raw bin good you receive it but what is interesting is that it triggers and then that analysis, that, yes that's it bin analysis, the critical side that interests me because . this is what allows us to understand events from different scales because . brute facts right! . That the Concorde crashed (laughs) . so yes but then he must see what triggers it as a movement, that's the most interesting . (Marie, student, Sciences Po Paris years). But again we find this way of living the text of the other in the ordinary course: " . [...]
[...] An ethnology of suburban Paris, Galilée series 'Debates', p Colette Pétonnet, op. cit., p.77. Ibid, p.78 Ibid, p.80 Norbert Elias, Involvement and distancing. [...]
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